100 bars of 4/4 at 120 BPM, about 3:20 of playing, on ride, hi-hat, snare and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, kick and crashes through bars 18-26, silence through bars 27-41, ride through bars 42-57, kick and crashes through bars 58-73 and silence through bars 74-84, and 1 more change after that.
The beat the song is built on is one bar, played through bars 42-57 and 85-100 -- 55.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
42
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |x---x---x---x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 54 out of 100; the rest of the number is everything around it.
100 bars, about 3:20 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 21 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.