87 bars of 4/4 at a walking 95 BPM, 3:39 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, snare through bars 6-46, kick and crashes through bars 47-54 and snare through bars 55-87.
The beat the song is built on is one bar, played through bars 22-36, 55-61 and 63-77, and 1 more place -- 52.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
23
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |xx-----x--x-----|
HF |x-x-x-x-x-x-x-x-|5 fills to learn, played 6 times: bars 37, 44, 62, 78, 85 and 86.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
87 bars, about 3:39 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 37, 44, 62, 78, 85 and 86.