183 bars of 4/4 at 136 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, kick and crashes through bars 17-24, toms through bars 25-31, silence through bars 32-34, hi-hat through bars 35-54 and snare through bars 55-56, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 35-53, 55-57 and 59-60, and 8 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
36
1...........2...........3...........4...........
HH |o-----------o-----------o-----------o-----------|
SD |---------x--------x--------------x--------x-----|
BD |x-----------x-----------x-----------x-----------|12 fills to learn, played 33 times: bars 68, 72, 76, 80, 84, 88 and 27 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
183 bars, about 5:22 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 33 times: bars 68, 72, 76, 80, 84, 88 and 27 more.