138 bars of 4/4 at 127 BPM, about 4:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in how often it moves around the kit.
silence through bars 1-4, hi-hat through bars 5-21, silence through bars 22-28, hi-hat through bars 29-55, silence through bars 56-60 and ride through bars 61-62, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 27 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--------x-------|
BD |x---------------|5 fills to learn, played 9 times: bars 20, 70, 74, 77, 78, 82 and 3 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 14 out of 100; the rest of the number is everything around it.
138 bars, about 4:21 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 20, 70, 74, 77, 78, 82 and 3 more.