129 bars of 4/4 at 128 BPM, about 4:02 of playing, on crash, hi-hat, snare, mid tom and kick.
22 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
silence through bars 1-9, hi-hat through bars 10-33, silence through bars 34-41, hi-hat through bars 42-97, silence through bars 98-101 and hi-hat through bars 102-129.
The beat the song is built on is one bar, played through bars 10-33, 42-65 and 74-97, and 1 more place -- 88% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1e+a2e+a3e+a4e+a
HH |x-------x-------|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
22 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 10 out of 100; the rest of the number is everything around it.
129 bars, about 4:02 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.