148 bars at 158 BPM -- fast, and 3:44 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bar 1, toms through bars 2-5, hi-hat through bars 6-29, kick and crashes through bars 30-37, hi-hat through bars 38-43 and snare through bars 44-45, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14, and 17 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--xxxxxx--|22 fills to learn, played 65 times: bars 1, 2, 3, 5, 9, 13 and 59 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
148 bars, about 3:44 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 65 times: bars 1, 2, 3, 5, 9, 13 and 59 more.