107 bars of 4/4 at 124 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-8, hi-hat through bars 9-16, snare through bars 17-18, hi-hat through bars 19-26, snare through bars 27-28 and ride through bars 29-38, and 14 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 5-15, 17-25 and 27, and 7 more places -- 57% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5 6
1.....2.....3.....4..... 1.....2.....3.....4.....
CC |x-----x-----x-----x-----|x-----x-----x-----x-----|
SD |------x-----------x-----|------x-----------x---x-|
BD |x---x-----x-----x-----x-|----x-----x-----x-------|5 fills to learn, played 8 times: bars 36, 52, 61, 62, 69, 70 and 2 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
107 bars, about 3:27 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 36, 52, 61, 62, 69, 70 and 2 more.