175 bars at 160 BPM -- fast, and 4:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 2-18, hi-hat through bars 19-20, toms through bars 21-27, hi-hat through bars 28-29, ride through bars 30-35 and hi-hat through bars 36-61, and 13 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 54-77 -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
54 55
1e+a2e+a3e+a 1e+a2e+a3e+a4e+a
CC |x-----------|x-----------x---|
HH |----o---o---|----o---o-------|
SD |----x---x---|x---x---x---x---|
BD |x--x--x--x--|x--x--x--x--x---|20 fills to learn, played 48 times: bars 5, 9, 13, 21, 28, 29 and 42 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
175 bars, about 4:09 at the written tempo. The course breaks it into 72 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 48 times: bars 5, 9, 13, 21, 28, 29 and 42 more.