167 bars of 4/4 at a walking 100 BPM, 6:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-28, hi-hat through bars 29-49, toms through bars 50-51, hi-hat through bars 52-103 and snare through bars 104-107, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 36-42, 44-49 and 52-54, and 24 more places -- 39% of every bar the kit plays. Learn that one and most of the song is already under your hands.
40
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x---x-----x---x-|10 fills to learn, played 19 times: bars 50, 51, 74, 75, 90, 91 and 13 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
167 bars, about 6:41 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 50, 51, 74, 75, 90, 91 and 13 more.