223 bars of 4/4 at 120 BPM, about 7:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-12, kick and crashes through bars 13-24, hi-hat through bars 25-32, ride through bars 33-40, hi-hat through bars 41-56 and ride through bars 57-60, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 25-32, 41-56 and 85, and 6 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |------x-----------x-x-x-|
BD |x-----------x-----------|9 fills to learn, played 23 times: bars 6, 12, 14, 83, 84, 86 and 17 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
223 bars, about 7:20 at the written tempo. The course breaks it into 51 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 6, 12, 14, 83, 84, 86 and 17 more.