68 bars of 4/4 at a walking 95 BPM, 2:52 of playing, on hi-hat, snare, mid tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-28, snare through bars 29-32, hi-hat through bars 33-40, silence through bars 41-44 and kick and crashes through bars 45-52, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-23 and 25-28, and 2 more places -- 64.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |---x--x----x--x-|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
68 bars, about 2:52 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 21 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.