61 bars of 4/4 at a walking 82 BPM, 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-37, ride through bars 38-43, hi-hat through bars 44-59 and kick and crashes through bars 60-61.
The beat the song is built on is one bar, played through bars 5, 7 and 9-11, and 7 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5
1e+a2e+a3e+a4e+a
CC |x-------x-------|
HH |----o-x---x-o-x-|
SD |----x-------x---|
BD |x-------x-------|5 fills to learn, played 7 times: bars 20, 28, 36, 37, 45, 49 and 1 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
61 bars, about 2:59 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 20, 28, 36, 37, 45, 49 and 1 more.