94 bars of 4/4 at 142 BPM, about 2:39 of playing, on hi-hat, snare, high tom, mid tom, floor tom and kick.
25 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
silence through bars 1-14, toms through bars 15-16 and hi-hat through bars 17-94.
The beat the song is built on is one bar, played through bars 17-47 and 49-94 -- 97.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
17
1e+a2e+a3e+a4e+a
HH |g---g---g---g---|
SD |--------x-------|
T2 |x---------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
25 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
94 bars, about 2:39 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 21 minutes each.
hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.