76 bars of 4/4 at a walking 76 BPM, 4:00 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 3-8, hi-hat through bars 9-14, ride through bars 15-18, hi-hat through bars 19-32, ride through bars 33-36 and hi-hat through bars 37-50, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 45-47 and 49, and 7 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1e+a2e+a3e+a4e+a
CC |x-x-------------|
HH |----o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-x-----x-x-----|6 fills to learn, played 10 times: bars 3, 4, 44, 52, 54, 60 and 4 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
76 bars, about 4:00 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 3, 4, 44, 52, 54, 60 and 4 more.