115 bars of 4/4 at 116 BPM, about 3:57 of playing, on hi-hat, snare, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-115.
The beat the song is built on is one bar, played through bars 10-17, 30-37 and 46-52, and 2 more places -- 60.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1e+a2e+a3e+a4e+a
HH |x-x-o-x-x-x-o-x-|
SD |----x-------x---|
FT |----x-------x---|
BD |x-x---x-x-x---x-|
HF |------x-------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
115 bars, about 3:57 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 27 minutes each.
hi-hat, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.