377 bars of 3/4 -- not four -- at 142 BPM, 7:58 of playing on crash, ride, hi-hat, snare and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-304 and ride through bars 305-377.
The beat the song is built on is one bar, played through bars 53, 59 and 71, and 51 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
82
1e+a2e+a3e+a
HH |xxxxo-x-x-x-|
SD |------x--g--|
BD |x---x-----x-|1 fill to learn, played 1 time: bar 304.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
142 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
377 bars, about 7:58 at the written tempo. The course breaks it into 40 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 304.