121 bars of 4/4 at a walking 98 BPM, 4:56 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-28, snare through bars 29-32, hi-hat through bars 33-56, snare through bars 57-60 and hi-hat through bars 61-80, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 5-16, 21-28 and 33-44, and 4 more places -- 69.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x---x---x-|3 fills to learn, played 3 times: bars 56, 80 and 82.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
121 bars, about 4:56 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 56, 80 and 82.