188 bars of 4/4 at 135 BPM, about 5:34 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-6, hi-hat through bars 7-21, snare through bars 22-31, hi-hat through bars 32-41 and snare through bars 42-44, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 16 more places -- 77.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
41
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x---------------|4 fills to learn, played 7 times: bars 20, 28, 44, 155, 156, 180 and 1 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
188 bars, about 5:34 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 20, 28, 44, 155, 156, 180 and 1 more.