203 bars at 174 BPM -- fast, and 4:39 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 3-19, toms through bars 20-34, hi-hat through bars 35-82, kick and crashes through bars 83-86, hi-hat through bars 87-150 and kick and crashes through bars 151-155, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 51-57, 59-64 and 87, and 9 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |----------x---x-|13 fills to learn, played 34 times: bars 10, 18, 33, 34, 41, 42 and 28 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
203 bars, about 4:39 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 34 times: bars 10, 18, 33, 34, 41, 42 and 28 more.