229 bars of 4/4 at 130 BPM, about 8:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on how much of it falls off the beat.
hi-hat through bars 1-28, snare through bars 29-43, hi-hat through bars 44-52, snare through bars 53-60, hi-hat through bars 61-68 and toms through bars 69-76, and 8 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 142-163 -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
142 143
1...........2...........3...........4........ 1...........2...........3...........4...........5.....
HH |x--g--g--x--g--g--x--g--g--x-g-g-x-g-g-x-g-g-|x--g--g--x--g--g--x--g--g--x--g--g--x-g-g-x-g-g-x-g-g-|9 fills to learn, played 13 times: bars 27, 28, 53, 55, 57, 59 and 7 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 67 out of 100; the rest of the number is everything around it.
229 bars, about 8:20 at the written tempo. The course breaks it into 48 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 27, 28, 53, 55, 57, 59 and 7 more.