196 bars at 200 BPM -- fast, and 3:55 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-2, hi-hat through bars 3-14, ride through bars 15-26, hi-hat through bars 27-38, ride through bars 39-54 and hi-hat through bars 55-86, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 3-7, 9-13 and 71-73, and 5 more places -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3
1.....2.....3.....4.....
CC |x-----------------------|
HH |------o-----o-----o-----|
SD |------x-----------x-----|
BD |x-----------x-----------|14 fills to learn, played 28 times: bars 18, 26, 32, 38, 46, 54 and 22 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
196 bars, about 3:55 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 18, 26, 32, 38, 46, 54 and 22 more.