90 bars of 4/4 at 122 BPM, about 2:57 of playing, on crash, hi-hat, snare and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, snare through bars 9-15, hi-hat through bars 16-85 and snare through bars 86-90.
The beat the song is built on is one bar, played through bars 36-40, 51-60 and 71-73, and 1 more place -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
37
1e+a2e+a3e+a4e+a
HH |o-o-----o-o-o-o-|
SD |----xxxx----x---|
BD |x-x-----x-x---x-|2 fills to learn, played 6 times: bars 41, 49, 68, 74, 80 and 83.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 39 out of 100; the rest of the number is everything around it.
90 bars, about 2:57 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 6 times: bars 41, 49, 68, 74, 80 and 83.