232 bars at 170 BPM -- fast, and 5:28 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-15, hi-hat through bars 16-32, toms through bars 33-35, snare through bars 36-40, toms through bars 41-43 and hi-hat through bars 44-59, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 45, 47 and 49, and 27 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
69
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |xxxxxxxxxxxxxxxx|34 fills to learn, played 78 times: bars 15, 19, 23, 24, 25, 26 and 72 more.
It cuts the song into 82 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
232 bars, about 5:28 at the written tempo. The course breaks it into 82 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
34 fills to learn, played 78 times: bars 15, 19, 23, 24, 25, 26 and 72 more.