77 bars of 4/4 at a walking 91 BPM, 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-24, ride through bars 25-32, snare through bars 33-41, silence through bars 42-44 and toms through bars 45-60, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 25-31 and 61-66 -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 26
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |X---------------|----------------|
RD |----X-x-X-x-X-x-|X-x-X-x-X-x-X-x-|
SD |----x-------x---|----x-------x---|
BD |x-------x-x---x-|--x--x--x-x--x--|7 fills to learn, played 12 times: bars 24, 32, 37, 39, 40, 60 and 6 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
77 bars, about 3:23 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 24, 32, 37, 39, 40, 60 and 6 more.