272 bars at 168 BPM -- fast, and 6:29 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-26, hi-hat through bars 27-75, snare through bars 76-85, kick and crashes through bars 86-87, hi-hat through bars 88-110 and snare through bars 111-120, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 30-44, 46 and 50, and 24 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
30
1e+a2e+a3e+a4e+a
HH |x-g-x-g-x-g-x-g-|
SD |----x-------x---|
BD |x-------x-------|8 fills to learn, played 26 times: bars 25, 26, 27, 28, 127, 128 and 20 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
168 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
272 bars, about 6:29 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 26 times: bars 25, 26, 27, 28, 127, 128 and 20 more.