194 bars of 4/4 at 115 BPM, about 6:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-8, hi-hat through bars 9-44, ride through bars 45-66, hi-hat through bars 67-90, ride through bars 91-112 and toms through bars 113-118, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 17-19 and 21-23, and 11 more places -- 36.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
22
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |------x-----------x-----|
BD |x---x-x-x-x-x---x-x-x-x-|12 fills to learn, played 16 times: bars 7, 8, 16, 20, 28, 44 and 10 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
194 bars, about 6:45 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 7, 8, 16, 20, 28, 44 and 10 more.