234 bars, 15:06, at 62 BPM: slow enough that every note is exposed. Crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, ride through bars 8-76, silence through bars 77-87, ride through bars 88-108, silence through bars 109-133 and ride through bars 134-181, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 8-10, 12 and 16-18, and 50 more places -- 52.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
8
1.....2.....3.....4.....
CC |x-----------------------|
RD |------x-----x-----x-----|
SD |------x-----------x-----|
BD |x-----------x--x--------|26 fills to learn, played 55 times: bars 7, 11, 15, 19, 23, 27 and 49 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
62 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
234 bars, about 15:06 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 55 times: bars 7, 11, 15, 19, 23, 27 and 49 more.