182 bars at 187 BPM -- fast, and 4:03 of it without a break -- on crash, ride, hi-hat, snare, high tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-24, ride through bars 25-28, snare through bars 29-32, hi-hat through bars 33-46 and ride through bars 47-54, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 41-43, 55-57 and 111-113, and 1 more place -- 7.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x---------------|19 fills to learn, played 52 times: bars 8, 16, 23, 24, 25, 26 and 46 more.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
187 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
182 bars, about 4:03 at the written tempo. The course breaks it into 75 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 52 times: bars 8, 16, 23, 24, 25, 26 and 46 more.