167 bars at 186 BPM -- fast, and 3:35 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-7, hi-hat through bars 8-66, snare through bars 67-73, toms through bars 74-76, hi-hat through bars 77-125 and toms through bars 126-130, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-14, 25-31 and 59-61, and 2 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|19 fills to learn, played 36 times: bars 15, 16, 24, 38, 40, 41 and 30 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
186 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
167 bars, about 3:35 at the written tempo. The course breaks it into 69 exercises over 20 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 36 times: bars 15, 16, 24, 38, 40, 41 and 30 more.