140 bars of 4/4 at 140 BPM, about 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-11, hi-hat through bars 12-87, kick and crashes through bars 88-89, silence through bars 90-96, hi-hat through bars 97-135 and toms through bars 136-137, and 1 more change after that.
The beat the song is built on is one bar, played through bars 19-33, 35-38 and 42-44, and 5 more places -- 38.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
20
1e+a2e+a3e+a4e+a
HH |x-o-x-o-x-o-x-o-|
SD |--x---x---x---x-|
BD |x-xx-xx---xx-xx-|10 fills to learn, played 34 times: bars 11, 18, 34, 39, 40, 41 and 28 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
140 bars, about 4:00 at the written tempo. The course breaks it into 36 exercises over 13 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 34 times: bars 11, 18, 34, 39, 40, 41 and 28 more.