76 bars of 4/4 at 130 BPM, about 2:20 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bar 1, snare through bars 2-17, hi-hat through bars 18-61 and snare through bars 62-76.
The beat the song is built on is a 2-bar phrase, played through bars 50-56 and 62-68 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
50 51
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |--------x-------|--------x-x---x-|
BD |x-----x-------x-|--xxx-x-----x---|8 fills to learn, played 10 times: bars 1, 9, 17, 21, 25, 44 and 4 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 38 out of 100; the rest of the number is everything around it.
76 bars, about 2:20 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 1, 9, 17, 21, 25, 44 and 4 more.