89 bars of 4/4 at 148 BPM, about 2:26 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-15, snare through bars 16-32, hi-hat through bars 33-40, snare through bars 41-57 and silence through bars 58-60, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 17-23, 31 and 39, and 12 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
31
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-------x---|10 fills to learn, played 15 times: bars 16, 24, 28, 32, 36, 40 and 9 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
89 bars, about 2:26 at the written tempo. The course breaks it into 33 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 16, 24, 28, 32, 36, 40 and 9 more.