112 bars of 4/4 at 125 BPM, about 3:35 of playing, on ride, hi-hat, snare, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-108 and silence through bars 109-112.
The beat the song is built on is one bar, played through bars 5-19, 21-28 and 30-49, and 4 more places -- 85.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |o-----x-x-x-x---|
BD |x-----x---x-----|
HF |--g-------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
112 bars, about 3:35 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 27 minutes each.
ride, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.