458 bars at 194 BPM -- fast, and 9:27 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-65, silence through bars 66-72, hi-hat through bars 73-88, snare through bars 89-100, hi-hat through bars 101-106 and silence through bars 107-108, and 39 more changes after that.
The beat the song is built on is one bar, played through bars 201-203, 205-211 and 213-228, and 4 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
201
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--------x-------|
BD |x---------------|20 fills to learn, played 50 times: bars 32, 64, 80, 88, 94, 96 and 44 more.
It cuts the song into 82 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
458 bars, about 9:27 at the written tempo. The course breaks it into 82 exercises over 25 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 50 times: bars 32, 64, 80, 88, 94, 96 and 44 more.