100 bars of 4/4 at a walking 90 BPM, 4:25 of playing, on crash, hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-68, snare through bars 69-73 and hi-hat through bars 74-100.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 38 more places -- 42.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--x---xx-x----x-|
SD |----x-------x---|
BD |x-x----x--x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
100 bars, about 4:25 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.