275 bars of 4/4 at 113 BPM, about 9:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, ride through bars 6-29, hi-hat through bars 30-50, ride through bars 51-56, kick and crashes through bars 57-63 and hi-hat through bars 64-79, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 96-97, 232-233 and 235-237, and 10 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
235
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-----x-|8 fills to learn, played 18 times: bars 9, 29, 91, 104, 106, 108 and 12 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
275 bars, about 9:24 at the written tempo. The course breaks it into 62 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 9, 29, 91, 104, 106, 108 and 12 more.