99 bars of 4/4 at 129 BPM, about 3:04 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-12, hi-hat through bars 13-20, snare through bars 21-28, hi-hat through bars 29-46, snare through bars 47-54 and hi-hat through bars 55-70, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 17-19 and 21-27, and 7 more places -- 39.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-------|15 fills to learn, played 20 times: bars 12, 16, 20, 28, 42, 46 and 14 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
99 bars, about 3:04 at the written tempo. The course breaks it into 41 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 20 times: bars 12, 16, 20, 28, 42, 46 and 14 more.