176 bars of 4/4 at 120 BPM, about 6:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-15, snare through bars 16-18, hi-hat through bars 19-35, ride through bars 36-43, hi-hat through bars 44-51 and ride through bars 52-59, and 17 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 20-21, 24-25 and 29-30, and 3 more places -- 8.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 21
1e+a2e+a3e+a4e+a5e+a 1e+a2e+a3e+a4e+a
HH |o---o---o---o---o---|o---o---o---o---|
SD |----x-------x-------|x-------x-------|
BD |x-xx--x--x-----x--xx|--xxx-x--x--x-xx|15 fills to learn, played 71 times: bars 25, 26, 27, 30, 31, 34 and 65 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
176 bars, about 6:11 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 71 times: bars 25, 26, 27, 30, 31, 34 and 65 more.