129 bars of 4/4 at 120 BPM, about 4:17 of playing, on crash, hi-hat, snare and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-17, hi-hat through bars 18-77, snare through bars 78-81 and hi-hat through bars 82-129.
The beat the song is built on is one bar, played through bars 22-53, 58-65 and 82-129 -- 78.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
34
1e+a2e+a3e+a4e+a
CC |------------x---|
HH |x-x-x-x-x-x-x-xx|
SD |----x-------x---|
BD |x-----x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
129 bars, about 4:17 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.