173 bars at 202 BPM -- fast, and 3:26 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bar 1, silence through bars 2-7, snare through bars 8-16, hi-hat through bars 17-29, snare through bars 30-48 and hi-hat through bars 49-67, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 13 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |x-x---x---x---x-|9 fills to learn, played 16 times: bars 16, 22, 24, 32, 40, 74 and 10 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
202 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
173 bars, about 3:26 at the written tempo. The course breaks it into 46 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 16, 22, 24, 32, 40, 74 and 10 more.