97 bars of 4/4 at a walking 80 BPM, 4:48 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
68 out of 100: demanding, mostly on how much of it falls off the beat.
snare through bar 1 and hi-hat through bars 2-97.
The beat the song is built on is one bar, played through bars 2-9, 11-24 and 26-34, and 4 more places -- 69.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
3
1e+a2e+a3e+a4e+a
HH |xxxxxxoxxxxxxxox|
SD |----r-------r---|
BD |----x-------x---|2 fills to learn, played 2 times: bars 55 and 67.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 47 out of 100; the rest of the number is everything around it.
97 bars, about 4:48 at the written tempo. The course breaks it into 17 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 55 and 67.