138 bars of 4/4 at 120 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-39, toms through bars 40-41, hi-hat through bars 42-89, ride through bars 90-97 and snare through bars 98-105, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 42-44, 46-48 and 50-52, and 11 more places -- 38.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
43
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |------x-----------x-----|
BD |x-x-x-x-x-x-x-x-x-x-x-x-|7 fills to learn, played 9 times: bars 13, 33, 41, 85, 97, 101 and 3 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
138 bars, about 4:36 at the written tempo. The course breaks it into 39 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 13, 33, 41, 85, 97, 101 and 3 more.