123 bars of 6/4 -- not four -- at 240 BPM, 3:05 of playing on crash, hi-hat, snare, mid tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bar 1, hi-hat through bars 2-82 and silence through bars 83-123.
The beat the song is built on is one bar, played through bars 2-3, 6-7 and 10-11, and 8 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2
1e+a2e+a3e+a4e+a5e+a6e+a
CC |----------------------x-|
HH |------x-----x-----x-----|
SD |------x-----------x-----|
BD |----x-------x---x-----x-|4 fills to learn, played 5 times: bars 9, 37, 53, 61 and 73.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 43 out of 100; the rest of the number is everything around it.
123 bars, about 3:05 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 5 times: bars 9, 37, 53, 61 and 73.