176 bars at 170 BPM -- fast, and 4:08 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-7, snare through bars 8-24, toms through bars 25-26, snare through bars 27-28, hi-hat through bars 29-42 and snare through bars 43-47, and 21 more changes after that.
The beat the song is built on is one bar, played through bars 2, 5-7 and 12, and 20 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
28
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |--------x---------------x-------|
BD |x---x-------x---x---x-------x---|13 fills to learn, played 20 times: bars 21, 25, 26, 39, 46, 51 and 14 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
176 bars, about 4:08 at the written tempo. The course breaks it into 60 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 21, 25, 26, 39, 46, 51 and 14 more.