121 bars of 4/4 at 128 BPM, about 3:47 of playing, on crash, snare, kick and hi-hat foot.
39 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-15, snare through bars 16-64, kick and crashes through bars 65-70 and snare through bars 71-121.
The beat the song is built on is one bar, played through bars 17-64 and 81-120 -- 75.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
17
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-------x-------|
HF |xxxxxxxxxxxxxxxx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
121 bars, about 3:47 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 26 minutes each.
crash, snare, kick and hi-hat foot. Nothing in the part asks for anything else.