74 bars of 4/4 at a walking 100 BPM, 2:58 of playing, on crash, hi-hat, snare and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-54, silence through bars 55-58 and hi-hat through bars 59-74.
The beat the song is built on is a 2-bar phrase, played through bars 17-30, 39-54 and 59-74 -- 65.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
17 18
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x-------x---|
BD |x-----x---x-----|x-----x---x--x--|1 fill to learn, played 2 times: bars 16 and 38.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
74 bars, about 2:58 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 16 and 38.