138 bars at 177 BPM -- fast, and 3:07 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bar 1, silence through bars 2-17, hi-hat through bars 18-111, snare through bars 112-113 and hi-hat through bars 114-138.
The beat the song is built on is one bar, played through bars 19-20, 22-24 and 27-28, and 11 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20
1e+a2e+a3e+a4e+a
HH |--x---x---o---x-|
SD |----X-------X---|
BD |x-------x-x-----|
HF |x-----------x---|7 fills to learn, played 18 times: bars 17, 33, 49, 53, 57, 61 and 12 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
177 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
138 bars, about 3:07 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 17, 33, 49, 53, 57, 61 and 12 more.