88 bars of 4/4 at 126 BPM, about 2:48 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, hi-hat through bars 4-24, snare through bars 25-34, toms through bars 35-40, hi-hat through bars 41-48 and snare through bars 49-57, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 17-31, 41-55 and 71, and 1 more place -- 45.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17 18
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |----x-------x---|----x-x-----x-xx|
BD |x-x-----x-x-----|x-x-------x-----|6 fills to learn, played 21 times: bars 32, 33, 34, 35, 36, 37 and 15 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
88 bars, about 2:48 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 32, 33, 34, 35, 36, 37 and 15 more.