212 bars of 4/4 at a walking 108 BPM, 7:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-2, ride through bars 3-10, hi-hat through bars 11-16, kick and crashes through bars 17-21, ride through bars 22-24 and kick and crashes through bars 25-31, and 25 more changes after that.
The beat the song is built on is one bar, played through bars 34-36, 38-40 and 42-44, and 6 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |--------x-------|
BD |x-x-x-x-x-x-x-x-|7 fills to learn, played 28 times: bars 1, 18, 19, 20, 21, 22 and 22 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
212 bars, about 7:55 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 1, 18, 19, 20, 21, 22 and 22 more.