120 bars of 4/4 at 116 BPM, about 4:08 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-25, silence through bars 26-32, hi-hat through bars 33-48, silence through bars 49-51, hi-hat through bars 52-56 and silence through bars 57-63, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 1-7, 9-15 and 17-24, and 6 more places -- 88.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
120 bars, about 4:08 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 21 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.